• "Valhalla is Burning: Theory, The Middle Ages, and Secularization," PMLA 130.3 (2015): 787-798.
• "The Epicurean Middle Ages," Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 25.4 (2013): 324-29.
• "Faustus, Confession, and the Sins of Omission," ELH 80.1 (2013): 29-59.
• "Who's Afraid of Darwin? Revisiting Chambers and Hardison…and Nietzsche,"
  Journal of Medieval and Early Modern Studies 40.1 (2010):7-35.
• "What a Piece of Work is Man: Shakespearean Drama as Marxian Fetish, the
  Fetish as Sacramental Sublime," Journal of Medieval and Early
  Modern Studies 34.3 (2004): 643-72. 
• "The Promise of History," Shakespeare Studies 30 (2002): 43-6.

• "Religion, Ritual and Myth," in A Cultural History of Tragedy, ed. Rebecca Bushnell, vol. 2, In The Middle Ages, ed. Jody Enders et al. (London: Bloomsbury, forthcoming), 81-98.
• "Holy Adultery: Marriage in The Comedy of Errors, The Merchant of Venice and The Merry Wives of Windsor," in The Oxford Handbook of Shakespearean Comedy, ed. Heather Hirschfeld (Oxford: Oxford University Press, 2018), 489-503.
• "Antinomian Shakespeare: Confession and English Drama across the Reformation Divide," in Shakespeare and Judgment, ed. Kevin Curran (Edinburgh: Edinburgh University Press, 2016), 175-94.
• "Persona," in Cultural Reformations: Medieval and Renaissance in Literary History, ed. Brian Cummings and James Simpson (Oxford: Oxford University Press, 2010), pp. 591-608.
• "Barabas and Charles I," in Placing the Plays of Christopher Marlowe: Cultural Contexts of his Drama, ed. Robert Logan and Sara Deats (Burlington, VT: Ashgate, 2008). 

Book Reviews

• The Rome Prize, Medieval Studies, American Academy in Rome, 2008-2009.
• Bundeskanzler-Stipendium, Alexander von Humboldt-Stiftung, 1999-2000.
• Diane Hunter Prize for the best dissertation submitted in English,
  University of Pennsylvania, 1999.